FILM & TV GLOSSARY
UKFILMNET FILM & TELEVISION PRODUCTION GLOSSARY
Browse the glossary using this index
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screwball comedy | ||
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a type of comedy prevalent in 1930's and typified by frenetic action, wisecracks, and sexual relationships as an important plot element; usually about upper-class characters and therefore often involving opulent sets and costumes a visual elements; highly verbal as opposed to its predecessor, the slapstick comedy. Examples include It Happened One Night and Brining Up Baby | ||
scrim | |||
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Sample Scrims
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segmentation | ||
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the process of dividing a film into parts for analysis. | ||
semiology, semiotics | ||
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theory of criticism pioneered by Roland Barthes in literature and Christian Metz, Umberto Eco, and Peter Wollen in film. It uses the theories of modern linguistics, especially Ferdinand de Saussure's concept of signification, as a model for the description of the operation of various cultural languages, such as film, television, body language, and written and spoken languages. | ||
sequence | ||
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a term commonly used for moderately large segment of a film, involving one complete stretch of action and consisting of one or more scenes. | ||