FILM & TV GLOSSARY


UKFILMNET FILM & TELEVISION PRODUCTION GLOSSARY


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boom Operator

(Last edited: Tuesday, 30 July 2013, 5:41 PM)

A boom operator is an assistant to the location sound mixer. Their main role is microphone placement, sometimes using a "fishpole" or "boom pole" with a microphone attached to the end and sometimes, when the situation permits, using a "boom" (often a Fisher boom) which is a more intricate and specialized piece of equipment that the operator stands on, and that allows precise control of the microphone at a much greater distance away from the actors. He or she will also attach wireless microphones to actors, celebrities and anyone whose voice requires recording.

The boom operator must decide where to place the boom microphone based on a combination of factors, including the location and projection of any dialogue, the frame position of the camera, the source of lighting (and hence shadows) and any unwanted noise sources.


wipe

(Last edited: Tuesday, 30 July 2013, 5:41 PM)
a transition between shots in which a line passes across the screen, eliminating the first shot as it goes and replacing it with the next one.

wide-angle lens

(Last edited: Tuesday, 30 July 2013, 5:41 PM)
a lens of short focal length that affects the scene's perspective by distorting straight lines near the edges of the frame and by exaggerating the distance between foreground and background planes. In 35mm filming, a wide-angle lens is 30mm or less. Produces the opposite effect of telephoto lens.

whip pan

(Last edited: Tuesday, 30 July 2013, 5:41 PM)

an extremely fast movement of camera from side to side, which causes the image to blur into a set of indistinct horizontal lines briefly. Often imperceptible cut joins two whip pans to create a trick transition between scenes.


viewing time

(Last edited: Tuesday, 30 July 2013, 5:41 PM)

the length of time it takes to watch a film when it is projected at the appropriate speed.



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