FILM & TV GLOSSARY
UKFILMNET FILM & TELEVISION PRODUCTION GLOSSARY
Browse the glossary using this index
Special | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | ALL
C |
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continuity editing | ||
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a system of cutting to maintain continuous and narrative action. It relies upon matching screen direction, position, and temporal relations from shot to shot to give spatial and temporal unity between shots. | ||
contrast | ||
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in the cinematography, the difference between the brightest and the darkest areas within the frame. | ||
contrast Ratio | ||
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Contrast Ratio is a measurement of the difference in brightness between the whitest white and the darkest black within an image. A ratio of 300:1 means the brightest point in the image is 300 times as bright as the darkest point. A higher contrast ratio therefore means a larger difference in brightness. Contrast ratio is of interest in two situations: | ||
Covering | ||
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Covering Is a term used by film or television directors that expresses their way of choosing camera angles and camera moves and different shot types to ensure the footage encompasses (or ‘covers’) the action and dialogue in the script. Hence the term ‘cover shot’ which is usually understood-in film making - to mean a wide-angle shot of the entire scene that covers all the action. The more common name for a cover shot is the ‘master shot’. In photography however the term cover shot is usually referred to as a master shot or photograph used for the cover of a publication. Covering a scene can be achieved by using a single ‘master shot’ or cover shot, but more usually refers to the process of filming and gathering a range of different shot types (wide-angle, extreme close-up etc) in order to give the editor and director creative choices in the editing process after filming. | ||
crane shot | ||
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a shot with a change in framing accomplished by having the camera on the crane and moving through the air in any direction. | ||