FILM & TV GLOSSARY
UKFILMNET FILM & TELEVISION PRODUCTION GLOSSARY
Browse the glossary using this index
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lapel Mic | ||
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A lapel microphone or lavalier (or lav mic) is a small electret or dynamic microphone used for television, theatre, film and public speaking applications, in order to allow hands-free operation. They are most commonly provided with small clips for attaching to collars, ties, or other clothing. The cord may be hidden by clothes and either run to a radio frequency transmitter in a pocket or clipped to a belt (for mobile work), or directly to the mixer (for stationary applications). | ||
lavalier Mic | ||
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a lapel microphone or lavalier (or lav mic) is a small electret or dynamic microphone used for television, theatre, film and public speaking applications, in order to allow hands-free operation. They are most commonly provided with small clips for attaching to collars, ties, or other clothing. The cord may be hidden by clothes and either run to a radio frequency transmitter in a pocket or clipped to a belt (for mobile work), or directly to the mixer (for stationary applications). | ||
Lighting diagram | ||
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A lighting diagram, whether hand drawn or using computer software, is an illustration or diagram that explains (usually in plan view) the layout, types of lighting and lighting modification and camera position of a particular lighting composition. Although there are no universally agreed symbols, there are nonetheless, some widely agreed symbolic conventions representing different types of light and modification. | ||
lighting practicals | ||
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Lighting practicals are a collective term for any single or number of lights that can seen by an audience within shot and which (usually but not always) originate light that is used in the final scene. Examples of lighting practicals include bed side table lamps, candles, desk lamps, torches (flash lights) and indeed any form of lighting where it is evidence to the audience that the light might naturally be expected to come from such light sources. | ||
linearity | ||
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in a narrative, the clear motivation of a series of causes and effects that progress without significant digressions, delays, or irrelevant actions. | ||
location sound supervisor | ||
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Location sound supervisor - The individual on set ultimately responsible for the correct recording and mixing of all sound sources on the film or TV location or studio. He or she is in charge of all aspects of sound and often works with a Boom Operator | ||
long shot | ||
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a framing in which the scale of the object shown is small; a standing human figure would appear nearly the height of the screen. | ||
long take | ||
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a shot that continues for an unusually lengthy time before the transition to the next shot. | ||
low-key lighting | ||
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lighting that creates strong contrast between light and dark areas of the shot, with deep shadows and little fill light. | ||